Visual guide · Read together with your child

Watching the Film Together

You've made a film — a quiet, symbolic walk: the stairs, the light, the gates, the ones who went ahead. This guide is for the viewing itself. One short read before the first watch, then keep it nearby. The film is a doorway; this is how you walk a child through it.

Two design facts to know before the first watch. The film never talks. There is no voice, nothing converses with your child, nobody's words are put in a loved one's mouth — by deliberate design, following the ethics research on children and digital memorials. The film is a story. It shows a walk your family imagines, not a place anyone has filmed. Those two facts are your footing for everything below.

Before the first watch

During the watch

Sit close. Body contact does more than narration here. Two things to keep in your pocket:

Pause button

The pause button is your friend. If your child wants to stop — stop. Looking at one frozen frame for five minutes while they ask questions is the film working exactly as intended.

Narrate freely

"That might be the garden he loved." "Look — the light." You are allowed to talk over the film, tell family stories, laugh. It belongs to your family; it is not a ceremony with rules.

If tears come — yours or theirs — let them. The research on caregiver warmth says the most useful thing you can model is that sadness is survivable and speakable. Crying together is not the film failing; it is often the point.

After — the real-world ritual

Every film should end by handing the child something to do. The evidence on child grief is strongest exactly here: rituals the child controls convert feeling into healing. Ideas that have worked for families:

Watching again, and watching apart

Children grieve in loops. Your child may want the film nightly for two weeks, then not ask for months. Both are healthy — follow their pace, keep it one tap away, and never make watching a duty. Equally: let them watch alone if they ask. The autonomy findings say a child who controls the tool uses it for comfort, and returns on their own schedule. The private link has no comments and no strangers — it is your family's room.

One boundary worth holding: the film is for looking, never for replacing. If your child starts asking it questions or waiting for it to answer, that is your cue for the honest frame: "It's a story we made about Grandpa, like a photograph that moves. He isn't inside the film — but our love for him is."

When a watch turns heavy

If viewings reliably end in nights of broken sleep, if your child cannot stop watching, or if the sadness stays on one track for months, pause the ritual and talk to a children's grief counselor. The treatments for grief that gets stuck are proven and they work — and reaching for one is the same protective instinct that brought you here.

If your family would like the film this guide describes — a personalized 90-second walk, built for watching together — it's Their Walk Home, and the Parent's Viewing Guide ships with it.

Where this guide comes from: the caregiver-warmth findings of the Family Bereavement Program trials; ritual and memory-work practice in child grief therapy (Neimeyer et al.); the first designed digital farewell scene for children (2023); the griefbot ethics recommendations (2024) that shaped this film's design — no simulated voice, no conversation, story-framing, adult co-viewing; and the child-autonomy findings in digital memorial use (2025–26). The plain-language science lives in Helping a Child Say Goodbye.